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From the Y in Philadelphia, I'm Terry Gross with Fresh Air. Today, why America can be described as having a caste system with your caste determined by your race.
We talk with Isabel Wilkerson, author of the new book Caste. She started thinking about this while writing her book about the great migration of African-Americans from the Jim Crow south to the north. Wilkerson compares America with India's caste system and writes about how Nazi Germany borrowed from American laws and practices.
She says Many people say I have nothing to do with the sins of the past. My ancestors never owned slaves. But Wilkerson adds, Here we are, and it's our responsibility to fix it later. John Powers reviews a novel causing a stir in literary circles about a black woman in her 20s caught between high artistic dreams and a messy personal life. When my guest, Isabel Wilkerson, was writing her book, The Warmth of Other Suns, about the great migration of African-Americans from the south to the north, looking to escape the lynchings, the cross burnings, the terrorism and the lack of opportunity in the South, she says she realized she wasn't writing about geography and relocation.
She was writing about the American caste system. Now she's written a new book called Caste that explains why she thinks America can be described as having a caste system and how, if we use that expression, it deepens our understanding of what black people have been up against in America. She compares America with a caste system in India and writes about how the Nazi leadership borrowed from American racist laws and the American eugenics movement. Wilkerson won a National Book Critics Circle award for her book about the Great Migration called The Warmth of Other Suns.
And she won a Pulitzer Prize when she was a reporter at the New York Times.
Isabel Wilkerson, welcome back to Fresh Air. It is really a pleasure to have you on again and congratulations on the book. 10 years ago, when you wrote The Warmth of Other Suns, you used the word caste system to refer to the segregated South. And you wrote, In the decades between reconstruction and the enforcement of civil rights laws, nearly every black family in the American South had a decision to make. The decision was to stay in the South segregated caste system or make the pilgrimage north or west in the hope of escaping racism and having more access to jobs, housing and other opportunities.
What made you think of using the word caste system to describe America as a whole? In that paragraph you used it to describe the American South. Well, I found that the word racism, which is often applied to discussions of interactions among and between African-Americans and other groups in this country, I found that term to be insufficient to capture the rigid social hierarchy and the repression that they were born into and that, in fact, everyone in that regime had to live under.
And so I turn to the word caste, which is a word that had been used by anthropologists and social scientists who went in to study the Jim Crow era in the 1930s in particular. And they emerged from their ethnographies or they emerged from their time there with the term caste as the language to use to describe what they found when they went there. And so I came to that word, as had they. That is the term that is more precise, it is more comprehensive, and it gets at the underlying infrastructure that often we cannot see.
But that is there undergirding much of the inequality and injustices and disparities that we live with in this country.
What do you think the differences between using the word caste system or systemic racism?
Well, it's the difference in some ways between what one would consider caste versus race to begin with. I think of caste as the bones and race as the skin, and that that allows us to see that race is a tool of the underlying structure that we live with. That race is merely the signal and cue to where one fits in the caste system and caste system is actually an artificial hierarchy. It's a graded ranking of human value in a society that determines the standing and respect of the benefit of the doubt and access to resources, assumptions of competence and even of beauty through no fault or action of one's own.
You're just born to it. And so caste focuses in on the infrastructure of our divisions and the rankings, whereas race is the metric that's used to determine one's place in that or one's assignment in that caste system, so that while there's an interaction between the two of them, caste is the much older term. It's a term that's been around for, you know, for for thousands of years, predates the idea of race, which is a fairly new concept.
It's only four or 500 years old dating back to the transatlantic slave trade. And so race is the newer concept. And it was in some ways created to maintain, to delineate, categorize and create the caste system that underlies our society.
We know about the laws on the segregated South that kept black people separate from white people and defined what they could do. But during them, like the great migration of black people, many, like six million black people, migrated north in the hope of better opportunity. What are some of the laws and regulations that they found in the North that prevented them from realizing the opportunities that they sought to have in the north?
Oh, exactly. In fact, they left one higher hierarchy, rigid, formal hierarchy known as Jim Crow, and went it was against the law for a black person and a white person to merely play checkers together with all of the restrictions that attended that and also the enforcement that was often brutal. But then they migrated away from that and found and discovered that actually caste shadowed them wherever they went and that the response to their arrival was, in fact, the methods that became known as northern people at the time called a James Crow, in which there were restrictive covenants that meant that that white homeowners, even if they wanted to sell to to black people, black potential buyers, were prevented by the restrictions that were embedded in their in their deeds.
And also, of course, redlining, which meant that the government would not back mortgages in neighborhoods where there were where African-Americans live, which meant that it was exceedingly difficult for African-Americans until the 1960s to merely get a mortgage, to buy a home, which is, of course, one of the most prominent and relied upon methods of building wealth in America, which means that there had been a continuing generations long disparity in access to the most basic American dream.
And so that is what they discovered when they got to the north. And in fact, these apparatus of control and delineation and segregation were created in the North as a result of the response to the Great Migration.
You were talking to a Nigerian born playwright and that playwright told you there are no black people in Africa. Africans aren't black. What do they mean?
Well, it's it's so shocking to our ears because, of course, we say that there is an entire subcontinent of people who we would view as black. But what she was saying was that until you come to the United States, they themselves do not see themselves as black, they are evil or they are into ballet or they are Uraba, whatever it is that they are in terms of their ethnicity and identity. It is only when they enter into a hierarchy such as this do they then have to think of themselves as black.
But back where they are from, they do not have to think of themselves as black because black is not the primary metric of determining one's identity.
You say that the idea of white, of being white is an American innovation.
Yes, it's an innovation that is only several hundred years old, dating back to the time of the transatlantic slave trade. And that is because before that time, you know, there were humans on the land wherever they happened to be on this planet. And because of the way people were living on the land, they were merely who they were. They were Irish or they were German or they were Polish or Hungarian. And only after the transatlantic slave trade, only after people who had been spread out all over the world converged in this one space, the new world, to create a new country, a new culture where all of these people were then interacting and having to figure out how they were going to relate to one another.
That is, when you have a caste system that emerges, a caste system that emerges that instantly relegates those who were brought in as as to be enslaved, relegated them to the very bottom of the caste system, and then elevated those who looked like those who had who created the caste system, meaning those who were British and Western Europeans at the very top of the caste system. And anyone who entered that caste system had to then navigate and figure out how were they going to manage, how are they going to survive and succeed in this caste system?
And also upon arrival, discovering that they were assigned to a particular category, whether they wish to be in it or not. And that means that until arriving here, people who were Irish, people who were Hungarian people who were Polish would not have identified themselves back in the 19th century as being white, but only in connection to the gradations and ranking that occurred and was created in the United States. That is where the designation of white, the designation of black and those in between came to have meaning.
If you see America as still having a caste system, where do you see people of color fitting in?
Well, there was a tremendous churning at the beginning of the 20th century of people who are arriving in these undetermined or middle groups that did not fit neatly into the bipolar structure that America had created. And at the beginning of the 20th century, there were petitions to the Supreme Court, petitions to the government for clarity about where they would fit in. And they were often petitioning to be admitted to the dominant caste. One of the examples, a Japanese immigrant petitioned to qualify for being Caucasian because he said, my skin is actually whiter than many people that I identified as white in America.
I should qualify to be considered Caucasian. And his petition was rejected by the Supreme Court. But these are all of examples of the long standing uncertainties about who fits where. When you have a caste system that is bipolar, such as the one that was created here, bipolar.
You mean black and white? Yes. What impact do you think that that had or has on white people who are poor or who are in the lower part socioeconomically of the working class?
Well, it creates a false pedestal of standing that has nothing to do with what one does. It's what you're born into. It also creates an invisible false pedestal. It's a pedestal that people cannot see as we can as I speak about the caste system itself is is like a building and the building has joists and beams and the structure that we cannot see. But the building is there. And what makes it especially troubling is that if one cannot see that there is a pedestal that one may be standing on, that was that you had nothing to do with and that was created well before you were born, then you may not even recognize the advantages that you actually were born to.
The other thing is that it can create easily activated resentment at anything that does not track with how one perceives oneself. In other words, the perception that someone who has been deemed lower or that that one perceives to be lower than them, any advancement by someone in that group can be seen as a greater threat than it otherwise would be. There would be a greater investment in maintaining the caste system as it is in maintaining the hierarchy as we have known it to be.
And I think that one way that it shows up a lot is that we often say and in our era that, you know, people say that white working class voters will often be acting against their own interest in opposing policies, for example, that may be geared toward working people like universal health care, for example. But from the lens of caste, it would not be surprising that they might oppose policies that they fear could threaten their own status by assisting those that they perceive as being beneath them.
And so, from a caste perspective, it could be argued that they are actually acting in what they perceive to be their best interests. If their best interest is maintaining the hierarchy, as it has always been.
So, you know, you write that like the Nazi regime could not understand why Jews in America qualified as white.
You know, I have to say that, you know what propelled me to Germany to begin with, the study of the Nazis had to do with Charlottesville, really, you know, the contention over statues and the Confederate and Nazi symbolism that that fused among the ralliers there and the battle over memory, the memory of the civil war and the role and the realities of slavery. Those are the reasons that I ended up even looking into what was going on with the Nazis.
So this was that was a long road to getting to what you just said. And I have to say that my focus was not initially on the Nazis themselves, but rather on how Germany has worked in the decades after the war to reconcile its history. But the deeper that I got and the more that I looked into this, the deep research, I discovered these connections that I would never have imagined. And it turned out that, you know, German eugenicists were in continuing dialogue with American eugenicists.
Books by American eugenicists were big sellers in Germany in the years leading up to the Third Reich. And and then, of course, the Nazis needed no one to teach them how to hate. But what they did was they sent researchers to study America's Jim Crow laws. They actually sent researchers to America to study how Americans had subjugated African-Americans, what would be considered the subordinated caste. And they actually debated and consulted American law as they were devising the Nuremberg laws and as they were looking at those laws in the United States.
They couldn't understand why from their perspective, the group that they had identified as the subordinated caste was not recognized in the United States in the same way. So that was the unusual interconnectedness that I never would have imagined.
Let's look at South Africa for a moment. You don't include them in your three major caste systems. You include America, Nazi Germany and India. But I think it's fair to say South Africa during apartheid was a caste system. Yes. Oh, absolutely.
And I considered it, but I needed to narrow it down. I would still be writing it into the next decade if I had included the others.
So I'm glad you finished it. Yeah, we would be talking now if it wasn't then. Yes, exactly.
Yeah, but so in South Africa, it wasn't bipolar. It wasn't like a division between white and black. There were other divisions in between. Would you describe what those categories were and how you qualified for those categories?
Well, the categories were primarily white colored and then African are black. And there were there's a reason why there was that middle category that was codified and recognized in the way that it was. And that has to do with the with the composition and demographics of that country in which the the white population was in the extreme minority in the country. And in order to wield and hold power, they needed to have divisions that were a little different from the way the United States hierarchy happens to be.
They had great incentive to include and to expand the definition of who could be in the upper rung because of the numbers were so small. And so it it worked to their advantage to have that middle group be more formally identified, apportioned specific benefits and rights and privileges that those on the very bottom would not have have those on the bottom being the, you know, the mass majority. And so they had a they had a different imperative than the United States had.
The United States, having been predominantly the majority, has has always been people who were identified as white. And that that the the incentive was not at a certain point necessary to involve and to bring in any more people than already were there. And in fact, there was a desire to cordon off those who could qualify to be at the very top because the numbers were already there to begin with.
You say that, you know, the U.S. used immigration as a legal way to maintain the caste system. What do you mean by that? That in order to cure rate, you might say the population curating the population means deciding who gets to be a part of it and where they fit in upon entry. And so there is a tremendous effort at the end of the 19th century, the beginning of the 20th century, with the rise of eugenics and this growing belief in the gradations of man of humankind that they wanted to keep the population to what it had been closer to what it had been at the founding of the country.
And so there was an effort to restrict who could come into the country if they were not of Western European descent. Tremendous back and forth, tremendous efforts on the part of eugenicists who then held sway in the popular imagination, tremendous effort to keep out people who we now would view as as part of of the the dominant group. So there was it was a form of curating who could become a part of the United States and where they would fit in.
And they used immigration laws to determine who would be able to get access to to that dominant group.
Now, under the Trump administration, we've seen the Muslim travel ban building the wall, trying to end DACA and send back dreamers. How do you see that? Do you see that as being part of what you describe as the caste system? Well, it shows the enduring nature of this impulse to maintain the idea of America as it had originally been created, this idea that it is it is a country where certain people are viewed as American and certain other people are not viewed as American.
And this is a continuation. I see all of this as a continuum where we make great strides toward embracing others. And then there's a backlash and then there's a plateau. And then there's yet another progress and then there's a backlash and then there's a plateau. And so we're in the middle of a of a cycle. But this is an ongoing continuum in which there's this effort to curate and to chisel and control who can be admitted into this caste system that was created so long ago.
Well, let's take another break here and then we'll talk some more. If you're just joining us, my guest is Isabel Wilkerson. Her new book is called Cast. We'll be right back. This is fresh air support for NPR.
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Let's get back to my interview with journalist Isabel Wilkerson. Her new book cast suggests that we look at America as having created a caste system to keep down African-Americans. In the comparisons that you make between the Nazi regime and the caste system in America, you describe like what qualified in each country as being white, like how much blood, non-white blood did you need to have in your system in order to disqualify as being white? Would you compare the two countries in defining that?
Well, that was a source of tremendous debate. I came to discover I had no idea how they had arrived at their delineation of people, and they sent people to study the United States and how it had defined and codified, categorized and subjugated African-Americans and delineated who could be what in the United States. They studied the also studied the marriage laws, intermarriage laws.
And in doing so, they debated as to who should qualify to be considered Aryan in Germany at that time.
And in studying the United States, they were they themselves were stunned to have discovered the one drop rule. That was the common distinction in the United States for determining whether a person could be identified as black or African-American. At that time, they would have been called colored or Negro.
That idea of the one drop rule was that was viewed as too extreme to them, that to the Nazis.
Stunning to hear that. I mean, stunning to see that. Stunning to discover that the Nazis, in trying to create their own caste system, what could be considered a caste system, went to great lengths to really think hard about who should qualify as Aryan because they felt that they wanted to include as many people as they possibly could.
Ironically enough, in in trying to define who could qualify to be Aryan, the Nazis were more concerned about making sure that those who had Aryan blood would be protected, that a person who had a significant amount of Aryan blood should still be considered Aryan. They actually had greater latitude in defining who could be Aryan and who would qualify as Jewish than the United States had determined with who could be African American or who could be white.
Germany passed the law for the protection for German blood and German honor to define who was a Jew. And you're right. Here's how it was defined that Hitler defined a Jew as a person with three Jewish grandparents or anyone descended from two Jewish grandparents who practiced Judaism or was accepted in the Jewish community or was married to a Jew.
The law also banned marriage and intercourse out of marriage between Jews and Germans and forbade German women under 45 to work in a Jewish household.
I assume that was because the Germans assumed that over 45 you would no longer be of childbearing age. And so if you had consensual sex with the white man of the House or if he raped you, you wouldn't be bringing a Jew into the world.
Absolutely, that was how they interpreted or adjusted the the what they discovered when they came and researched the United States, that's what they ended up with. How do you see yourself within the caste system in America? I was asked that by an Indian immigrant in London once he did not he was an immigrant to to England, born in India, and he asked me that. And I found that question to be a stunning one because I did not know. It was surprising to me that he was not aware of the dynamics in the United States.
He was not aware of of what the messaging might have been exported to to the world about the role in the ranking of African-Americans. So I answered the question by indicating to him that described to him the caste system. The United States described the hierarchy. And I said to him that I was born to what would be considered the subordinate group in the United States. And so that is what people like me have been born to. It does not mean that that is actually who we are.
It just means that that is what society has assigned people who are of African descent. African-Americans have been categorized from the very beginning as being at the very bottom of the hierarchy, bottom of the caste system. But although you see yourself as having been defined as a member of the lowest rung of of the caste system in America, I mean, you're a successful author. You won a Pulitzer Prize when you were a New York Times reporter. You won a National Book Critics Circle Award for your book about the Great Migration North in America.
And now you have a new book. So like you have, I think, by anyone standards like your very successful. So how do you reconcile that with thinking of yourself as being on the lowest rung in a caste system? And caste systems by definition, don't allow you to move up higher?
Well, that's where the issue of class comes in. So if caste is the bones and race is the skin, then class is the you know, the clothes, the diction, the accents, the education, the external successes that one might achieve. But that does not protect a person from the intrusion of caste, the intrusion of boundaries, because caste is essentially, you know, it's an effort to control and restrict and to tell people where they belong.
It's a it's a focus on this autonomic impulse to keep people in their place no matter what. And it's you know, and that is fueled by, you know, unconscious biases that kick in before a person can even think. And so people like myself might move about the world, as, you know, as objectively successful people. But that does not protect against the intrusion from others who might try to put someone in their place by setting boundaries, suggesting or responding as if they actually don't belong where they are.
I mean, I had this experience in Chicago years ago when I was reporting a story that was was fairly routine. I made arrangements to interview all these people. I made the arrangements over the phone to interview a number of people for the story. And all the interviews had gone well until I got to the last one. It was the last interview of the day. I was very much looking forward to it. The person that I was speaking with or going to speak with had been very excited to talk with me over the phone.
But when I got there, he happened not to have been there at the time. And the place that I went to was an establishment. A retail establishment happened not to have other people in it. And so I was waiting for him to get there. The door opens and this man comes in. He's very harried. He's got this coat is overcoat on. He's he's he's late for an appointment with ultimately with me, but he's harried, he's he's frazzled.
He's anxious. And the the clerk who had helped me earlier told me to go up to him and that this was the man I was there to interview. And I went up to him and he said, oh, no, no, no, no, I can't talk with you right now. And I was flummoxed by that. I mean, we're here we're here for the interview. Why are you why are we why are you saying you don't have time to talk?
And he said, no, I can't talk with you right now. I'm getting ready for a very, very important interview. I cannot talk with you right now. And I said, well, well, I I'm I think I'm the person interviewing you. I'm Isabel Wilkerson with The New York Times. He said, oh, he said, well, how how would I know that? How do I know that you're Isabel Wilkerson? And I said, I am here.
This is the time for 30 year. We're here for the for the interview. And he said, well, do you have a business card? And I said, I actually happened not to have had any because I it was the end of the day and I'd been interviewing people all day. And this was the last interview which I was very much looking forward to. And I said, I'm sorry, I'm out of business cards right now. He said, well, do you have something that do you have some ID?
Can I see some ID? And I said I shouldn't have to show you I.D. where we're already into the time that we were to have the interview. We should be talking right now. He said, well, I need to see some ID. And so I pulled out my driver's license to show it to him and he said, You don't have anything with The New York Times on it. And he said, I'm sorry, I'm going to have to ask you to leave because I have a very important interview coming.
She'll be here any minute. I'm going to have to ask you to leave. So I was actually accused of impersonating myself because I was not perceived as being the person I was not perceived as being someone who should have been in the position of a New York Times national correspondent there to interview him.
Who do you tell after an incident like that? Did you talk to your editors about it? Did you just share it with friends and family?
It seems like it be such a maddening episode.
I have to say that I would share it with friends and family, but would not have shared that with editors because I would not want it to be seen.
You don't want to emphasize the barriers that you face. In other words, you don't want to suggest in any way that you're not able to do your job. You just have to find other ways to do it. And so that's something that I shared with friends and family, people who are close to me. But then I just soldiered on in order to get the work done. I mean, I wrote the piece, the piece was fine. No one needed to, you know, the editors.
No one else needed to know the trouble that I had to do. And in fact, we don't really like talking about the challenges to what we do. We want to just focus on getting the job done like anyone else.
Let me reintroduce you here. If you're just joining us, my guest is Isabel Wilkerson. Her new book is called Cast The Origins of Our Discontents. We'll be right back after we take a short break.
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Until recently, Edmond Hong says he didn't speak out against racism because he was scared of me not to speak up for.
I'm tired of this. Listen now on the Code Switch podcast from NPR. Let's get back to my interview with journalist Isabel Wilkerson. Her new book is called Cast The Origins of Our Discontents. It suggests we look at America as having created a caste system to keep down African-Americans. There's another story that we won't have time for you to tell. But you're on a business trip. You need to take the shuttle to get to the rental car place. And you're stopped by two DEA Drug Enforcement Agency guys.
And it's like, why? And they get on the bus with you. They ask you questions and finally they leave you alone. But, you know, you write about the psychic cost that this has on you, how it was just really upsetting to you and also the amount of time it takes to deal with these kinds of slights, like whether it's the restaurant or the DEA agents, this kind of, you know, profiling. Do you want to talk about that a little bit?
Well, it takes a toll on the lives of so, so many people. And I I think that this is this is one of the you know, the consequences, of course, is that it actually has a measurable impact on the lives and the health of people who are subjected to this on a regular basis. Of course, we've seen so many videos of people whose daily lives may be interrupted by someone who calls the police on them for this or that thing that they're doing.
That's a perfectly ordinary thing, but that people feel the the right to police surveil and control the the actions of people. And when these things happen, they are disorienting, they are disruptive and they are heartbreaking. They're absolutely gut wrenching when they occur. And yet you have to still soldier for if you still have to find a way to push through. In this case, though, I would say that this is also a way that the caste system affects the, you know, the larger society.
And that is if you have a significant number of of workers, a significant number of people who are part of the machinery of the economy, who are being derailed, held back, delayed, disrupted as they go about their work. I mean, here I am doing you know, I'm I'm a national correspondent for The New York Times. They're for work. And these are the kind of things that in just my own experience and as we're describing it, that derailed, delayed, affected my ability to be able to do my job, multiply that by, you know, millions of other people who are in different aspects, different parts of our society who are being delayed, derailed as they try to do their work.
You multiply that times, all of these millions of people, and you can see how this affects a very likely, you know, productivity of people, employees and ultimately companies and ultimately industries and ultimately the country itself.
You tell a story in your new book about a conversation that you had with Gwen Ifill, the late journalist who I think she was probably covering the presidential campaign in 2016 when you were talking with her about this. And she said you were talking about why she was saying Trump could really win the election.
If I recall this story correctly from your book and and you were asking her why and she said it's because of 2042 and 2042 is the year that the census predicts America will stop being a majority white country.
Actually, I have to say, it was the inverse. Oh, you were saying. Yeah, OK, sorry, I scramble that in my brain. So. So why were you saying that to her?
Well, I went up to Gwen at a party basically because it was New Year's Eve going into 2016. And I went up to her and just thought I would ask her about it, partly because I am not. I focus in on, you know, the narrative nonfiction and the the history. And obviously, she is was one of the preeminent political journalists of our time. And I said to her, I said, well, I really think that, you know, that he could win.
I think people are not seeing that right now. But I really think that he could win. And she said, well, absolutely. And I said, I think that it has to do with 2042. And she said, well, yes, that's that is exactly what is happening. That's exactly what this is. And I mention this because the prospect of a completely different configuration of the country has consequences for for for the nation and not just for people who have been historically in the dominant group, but for anyone in the country.
This is a configuration that no one in the United States has ever lived with has ever had to deal with. And so it requires a rethinking. It requires a new way of thinking about oneself ourselves at the same time. It could also be perceived as threatening to people who who might not be certain as to what that means for them. So this is, in my view, all part of the the churning and the dislocation and the uncertainty of the times in which we live.
When you talk about America being a caste system, do you think the caste system is as strong now? Obviously, it's not as strong as it was during segregation, but do you see the caste system starting to disintegrate or not? It has mutated to the times, and that's the reason why it's it's an enduring fixture in the infrastructure of our divisions. I mean, it is the architecture of division. And because people don't recognize it and may not be able to see it, we accept it and act upon it without even realizing it.
That is actually one of the reasons why I think caste is actually the more appropriate and enlightening in some ways actually liberating term to describe where we happen to be right now, because it is not about feelings and opinion, you know, race and race and racism seeming to suggest, you know, personal animus, prejudice. It triggers the, you know, such emotions as guilt and shame and blame. But caste is about structure. It's about something that that is inherited, that we have inherited as a as a country.
It suggests something that is perhaps not seen, but still affecting us, but not personal. I would not hazard a guess as to whether we're on the way toward ending it now. I'm only saying that we can now better see it for what it is. We can now better see the infrastructure beneath what we have inherited and in ways that we couldn't see it before.
I know a lot of people say I'm not responsible for racism in America. My family was immigrants or I always lived in the North.
I've never owned slaves. I'm not a racist myself. What do you say to that?
I say that when you buy a house, you are not responsible for how it was built unless you had to build yourself. If you buy an old house, you are not responsible for how it was built. You did not build the beams and the posts and the pillars and the joys that may be now askew, but it's your responsibility once it's in your possession to know what it is that you now occupy and it's your responsibility to fix that. No one had anything to do with the creation of the caste system that we've inherited.
But now that we are in it and we recognize it and we are here, however we got here, whether we were brought over and where we came over in ships, either of our own choice or not, whether we have recently arrived, we are now in the structure in the old house that now belongs to us. And it's our responsibility now to deal with whatever is within it. Whatever is wrong with it is now our responsibility, those of us who live here today.
Isabel Wilkerson, thank you so much for coming back to fresh air and talking with us. Thank you. It was a pleasure. Isabel Wilkerson's new book is called Cast The Origins of Our Discontents. After we take a short break, John Powers will review a book causing a stir in literary circles. This is Fresh Air.
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We're only months away from Election Day and every week, or even every few hours, there's a new twist that could affect who will win the White House. To keep up with the latest, tune into the NPR Politics podcast every day to find out what happened and what it means for the election. Our critic at large, John Powers, has a review of a debut novel that's causing a stir in literary circles. The book Lustre by Raven Lelani, a young black writer, tells the story of a 20 something woman caught between high artistic dreams and a messy personal life.
Our critic at large, John Powers, says the novel establishes Lelani as a writer with talent to burn.
I can't say for sure when it began, probably with the brouhaha surrounding Lena Dunham's girls, but we're riding a crest of books, movies and TV series about bright young women who can't figure out what to do with their brightness. And so they have sex, often really lousy sex, and they do it so casually that it unleashes my inner granpa. I want to grab them and say, don't let him do that to you. I felt that way at the beginning of last year.
The crackling debut novel by Raven Lelani, a 29 year old writer who sports a nicely tailored prose style and a stinging sense of humor. Her heroine, Eddie, is an eagle eyed African-American woman in her 20s who can't get it together to pursue her dream of being a painter. Instead, she shares a crummy apartment in, where else, Brooklyn, and works as a low paid drone at a publishing house where her free range libido leads her to have sex with seemingly everyone for her.
Men are functional. There are men, she tells us, who are an answer to a biological imperative, who might chew and swallow.
And there are men I hold in my mouth until they dissolve. These men are often authority figures. One of them is Eric, a digital archivist in his 40s with whom she has an online flirtation. When they finally meet Eric Toys with her calling her names, withholding sex and talking about his wife back in New Jersey with whom he claims to have an open marriage, he capitalizes on his often masochistic need to experience life through her senses.
When he asks if he can hit her. She answers yes. But just when one fears that Luster might sink into endless Wuerffel lusting, the book slyly pivots. It goes to Erich's home, where she encounters his wife, Rebecca, a tightly wound medical examiner with, quote, chunky, tragic sneakers and freaky competence, unquote. She discovers they have a black foster daughter, a killer, a comics' loving twin who's not wholly at ease living with white foster parents in a white suburb.
Soon, Eddie, who's lost her job, is staying at their house, too. But why do they want her to somehow help with their daughter now, as Lelani depicts Eddie's fleabag life? I couldn't help thinking of her literary forebears writers like Mary Gaitskill, the godmother of today's Spiky Sextape heroines, and Kathleen Collins, whose stories portray bohemian black women trying to define themselves in a world that has no existing role for them. As a black writer, Lelani is, of course, well versed in the inescapable workings of race.
Lester offers several keen moments on the theme, as when the other black woman at her job says, You think because you slack and express no impulse control, that you're like black power sticking it to the white man or whatever. But you're just exactly what they expect. Like I understand wanting to resist their demands, but they can be mediocre. We can't. At the same time, Lester isn't about race. Eddie is an African-American woman, but not every African-American woman is Eddie.
What's best about Lester is precisely her messy, unabashed individuality as she explores the world around her. Edie addresses this in a funny, shrewd narrative voice that precisely describes the wide ranging contours of her life losing her virginity, watching Rebekah cut up cadavers, going to Comic-Con, or showing how police respond to two young black women walking in a suburban neighborhood.
Like many young novelists, Lelani sometimes lets her story drift, it is more in Noticer than Édouard, and she doesn't always flesh out other characters as richly as she does her heroine, although any story begins with her attraction to Eric. He doesn't seem to interest Lelani very much, which may actually be the point. In truth, both she and Eddie are far more fascinated by Rebecca, who's brisling isolation. Clinical, cool and unexpected boldness make her something of Ediz white, middle aged alter ego, one who may possibly help open up its art.
Near the end of the novel, Eddy explains that what she wants her painting to do is, quote, document how we survive or in some cases how we don't. In this, she's pretty clearly speaking for her creator. While it's far from clear that it will survive, let alone become the artist she dreams of being, Luster is documentary evidence that Lelani herself has already arrived.
John Powers reviewed Luster, the debut novel by Raven Lelani. Tomorrow on Fresh Air, my guest will be Jeffrey Toobin, who's written a new book about the Mueller investigation, the impeachment and how Trump managed to survive both. It's called True Crimes and Misdemeanors. Toobin is a New Yorker staff writer and CNN's chief legal analyst. I hope you'll join us.
Fresh Air's executive producer is Danny Miller, our technical director and engineer is Audrey Bentham with additional engineering from Charlie. Our interviews and reviews are produced and edited by Amy Salit, Phyllis Myers, Sam Briger, Lauren Krenzel, Heidi Saman, Teresa Madden, financial planner Seth Kelly and Joel Wolfram, our associate producer of digital media is Molly S.V. Necessary. Roberta Shorrock directs the show. I'm Terry Gross.