All right, I'm saying this now. I'll say it again later. If I'm wrong, you can throw a tomato at your phone or your computer or however you're listening to this right now. But when you get to the end of this episode, I think you're going to want to hear the next one, the finale, as soon as possible. Anecdotal evidence from within WBUR, Beyond All Repairs Home Station, has confirmed that, in fact. If I'm right about that, or if you believe me now and are already willing to take the plunge, go to Wbur. Org/beyond, pitch in 25 bucks to support the show, and you will get the finale as soon as humanly possible because it is already waiting in that private feed. There's a link in your show notes, if that's easier. Thank you for your support. And off we go.

Wbur Podcasts, Boston.

Heads up. This episode has descriptions of violence, sexual assault, and strong language. Last time on Beyond All Repair. Good morning. Is this Anthony Snow?

I've been expecting a call, actually.

Papa Snow hair coming to you live out of Guyana. The businessman who has had question of a business venture and was incarcerated maintains that he was never involved in fraud.

Why would you go up there and say you saw me do it?

Well, I didn't kill her. Nobody wants to address the damn shadow in the background, and the only person who can really address that could be the one person who knew everything. That was Sophia.

Around the time I called Sean Coraya, a. K. A. Anthony Snow. There was someone else preparing to call him. The interaction started with text messages, back and forth, then audio messages. Sean sent the first one.

Good morning, Shane. All right.

Shane, the youngest of the Coraya siblings, was trying to keep an open mind about what happened the day of Marlene Johnson's murder. Which of his siblings was telling the truth? His sister, Sophia, or his brother, Sean?

Happy to see that you're healthy. Happy to see that you're living a decent life for the most part, and I'm proud of you to some regards.

Shane hasn't spoken to Sean in more than a decade, and they've never talked about the murder until now.

In terms of Sofia's case being reopened, I'll put her back in prison. My best advice is Shane, stay away from that. Please be mindful. Don't become my enemy.

Sean sounds like he's recording this in his car during a rainstorm, likely in Georgetown, Guyana, where he lives. Shane, from his New York City apartment 2,500 miles away, sends sends a message back.

Sean, I have no interest in becoming anyone's enemy. I wanted to understand the process that happened to you and Sophia. I'm looking over the investigation files, and honestly, there's a reason why she was acquitted. Frankly, I also am hearing a somewhat implicit threat about being made enemies.

Shane, nobody's trying to make any threats towards you, right? But if people attack me, I will defend myself. Keep me out of whatever it is you all people are doing. Keep me completely out of it, or everyone will regret trying to drag me back into their bullshit.

And then- Hey, morning, Sean.

I just- Sean calls Shane and the two brothers talk in real-time.

Dude, listen to me very Be very carefully shade, Shane. I love you, my little brother. Whatever fucking said it done, said it done. But let me tell you something, bro. Sophia got her own agenda, my brother.

You'll always be able to tell your side of the story. No one's taking that away from you. But Sophia is going to tell her story. I'm going to tell my story, Sean, for that little compartmentalized nugget. And I'm not going after anything, but it's a part of the story.

This nugget, as Shane calls it, is the reason he hasn't wanted to talk to Sean for all these years.

Look, it hurts. I don't enjoy exactly sharing private details with the public.

Not that it has anything to do with anything, but I'm sitting here and I'm listening all the time.

What the brothers are talking around is something from their childhood that's unresolved, something that informs the way Shane views Sean, that he hasn't been able to ignore as he considers which of his siblings to believe. Shane has tried to compartmentalize this, set it aside. But if there's any chance of him believing Sean's story about the murder, Shane has to confront him about this first.

This guy fucking... He hurt me growing up, and even I was still willing to give him the benefit of the doubt around murder.

I'm Amarie Sievertson. From WBUR and ZSP Media, This is beyond all repair. Chapter 9, Someone is Lying. The day before Shane referenced this unresolved issue from their childhood to Sean on the phone, I spoke to Sean about it, with Shane's permission.

There is one other thing that I'd love for you to just respond to because it's more serious and you deserve a chance to respond. Shane told me that Sean sexually assaulted him throughout his childhood.

I'm sorry.

A reminder here that Sean is six years older than Shane.

I'm told that this went on for quite a while.

So you're saying that my little brother?

Yes.

My gay little brother.

Sean has an opinion on Shane's sexuality, clearly. But yes, I tell him, His brother has told me painful accounts of being sexually assaulted by him.

Wow, it just gets more interesting.

Most of my adolescent and childhood life, I was not around my little brother because I was living with my father.

So how and when could something like that have even happened?

Shane says the first time it happened was during this period, actually, after he and Sophia and their mother had already moved out. Sophia and Shane went to their dad's house in the Bronx together for a visit. Shane doesn't remember exactly how old he was at the time. They were Jehovah's witnesses then, so he didn't celebrate birthdays. But he was in elementary school, and he ended up alone with Sean in his room. When you heard Shane say earlier that Sean hurt him, that's the least explicit I've heard him when talking about the abuse. He alleges it involved unwelcome self-exposure by Sean, unwanted touching and penetration. Shane says that even from the first instance, he told Sean he didn't think he was doing was right. Sean would tell him it was just a dream that what was happening wasn't really happening. The last time it happened, Shane says, was in the months before Marlene Johnson was murdered. Shane was 13. Sean was 19.

What I would tell you is just look at how their lives are turning out. That alone should say something.

What do you mean by that with regards to Shane? Because I know Sophia has a... She has a very particular circumstance, but how do you think Shane's life has turned out?

Hey, you know what? For the most part, you know what? I'm proud of him. I told him, I said, Dude, you're gay, you're gay, whatever. But you see, this is what happens. I'm too nice. I think I'm too nice. I got to stay away from you. I got to stay completely. First, the girl tries to make me look like a murderer. Now hurt her. Her little, oh, my God, I couldn't even believe I would be making it. Horrible, horrible, horrible.

Just to be clear, you deny this completely. You deny ever having Of course not.

Of course not. What the hell? What the hell? What the hell? What the hell?

Now, Shane has made it clear to me that he doesn't equate Sean's alleged actions toward him as a child with murder.

My brother sexually assaulted me, and I can state that because I experienced it. Even I can draw the distinction of he might not be a murderer. Is he a child molester? Yes. Is he a person who can cause physical harm? Yes, he can.

But Shane also thought this first conversation with Sean in many years might be an opportunity for them to clear the air. Shane was willing to forgive Sean and maybe even believe what he had to say Marlene Johnson's murder if Sean admitted to the abuse. As it started to sink in that that would not be happening. As Shane listened to voice messages from Sean and heard things like, And as it deals with anything that you said against me, I'll forgive you, and I understand. Sean forgiving him. Shane had heard and had enough. He sent one more audio message back to Sean.

Sean, the only interactions that had with one another, you're telling me that I'm lying. You're referring to it as a lie because you won't even acknowledge it. But it really doesn't make me trust you, Sean. And In fact, it makes me angry because I know that you're telling me that something that I experienced is a lie, and you're very good at holding that truth to you and communicating that. And that really fucked with me, Sean, because when I told dad all those years ago, do you know that he went around telling people that he took me to a doctor who said that they couldn't show anything, so I'm a liar?

There are many themes in this larger story. Memory is one, for sure, especially given that the events in question, from allegations of abuse to murder, they all happened more than 20 years ago. But maybe just as important is everyone's relationship to the truth. I'd read the Coraya family psychological evaluation we heard earlier in the series. I'd heard from Shane and Sophia that Sean believes his own lies, and that he learned that from the master, their dad, George. Hello. Hi. Is this George?

Speaking.

I felt like I needed to talk to him myself.

How are you?

Well, I'm doing it easy wondering where the world is going right now while we are in it.

Wondering where the world is going? Where do you worry it's going?

I don't want to say I see or predict, but for some reason, I got a feeling about things. When I talk about it. I see it happen. Many people who know me will tell you that. Even for the water, it sent a right back.

George is saying here that he had a premonition about 9/11 before it happened, and that he called his ex-wife, Grace, in 2001 to warn her that their kids were going to be involved in something bad.

Leave Vancouver, Washington within two months with your children. I swear to God, if I lie, I drop that. I said, They're going to jail for a crime that don't belong to them, and it will be murder.

You're saying that a couple months before the murder happened, you had a premonition that there was going to be a murder and that your son and daughter were going to be either involved or blamed for it?

Yes.

George still doesn't believe Sophia or Sean committed the actual murder, but he does believe Sean's story that there was a third person at the scene, someone only Sophia would be able to identify. George pins the murder on this elusive third person, but he also doesn't seem to know the details about Sean's potential involvement.

Marlene's blood was found on him.

No. Yes, there was. There was a drop of Marlene's blood on his boot, and so he was there, at least. You have Sean saying one thing about Sophia. You have Sophia saying something about Sean.

Both of them, George, feel like the other one has betrayed them.

I would like to give them a like to check the test because let me be honest, I have never seen something like this in my life, traveling all over the world in the past.

You want to give Sean a lie detector test, you're saying?

All of them. All of your kids. I want their sign.

Can I ask, were Were you a tough dad? Were you a strict dad with your children?

No. The most important thing I will do, no smoke, no drinking, no sleep out, don't bring your friend to party here.

Sophia and Shane have said that it was a pretty...

There was a lot of name calling and yelling in the house growing up.

No. And that you would call your son's things like, Thiefs, and you would call Shane Slurs because of his sexuality. No, no, no, no, no, no, no, no. Would you ever throw things in the house?

Did you have a temper?

No, man. What would I throw? No. All this is an allegation. Why would I throw something in my house.

I don't know. I'm putting it to you because these are things that have been said to me. I've heard that it was a pretty turbulent household to grow up in and that there was a lot of yelling and name calling.

No, no, no, no, no, Nothing like that.

Okay. Is there anything that could have been interpreted like that?

Because I don't know why they would make something like that up.

My friend, between you and I, I am wondering myself. I even leave a message for Ms. Sophie. I said, You have to disappoint us. Change your way of wrong. Stop it. Stop lying.

And Sophia, or Ms. Sophie, as George calls her here, forwarded that and dozens of other messages from her father to me.

Your days are numbered if you don't change. Please stop your bullshit. Get off of that if you want to live to see your son.

If you want to live to see your son, George says. Having a shot at meeting her son, Ethan, is Sophia's main reason for wanting to revisit the murder of her mother-in-law, her son's grandmother, to to write the narrative ship, she might say. But after my conversations with George and Sean, Sophia started getting a lot more of these voicemails from her father.

You're wicked, corrupt, courbitious, predictive.

Which, I imagine, has only made the hurdle between her and her own child feel higher. If the family she knows is against her, what chance does she have with the son who doesn't?

If you was not my My daughter, I keep a million miles away from you.

And Sophia wasn't the only one being barraged, as you may remember from the very beginning of this series.

Mr. Seam, good morning. How are you doing? Listen to me carefully. If you do not want to get yourself a lawsuit. Stop joining with Sophie to accuse people. You don't know nothing. You're not ready for what will come down if you don't stop your nonsense and keep away.

It's hard to know whether George is foreseeing bad comes for Shane and Sophia in these messages, or if he's threatening to create them. But it doesn't feel good knowing that I might have stirred the pot just in trying to hear him and Sean out. George did say something that resonated with me, though, that he wants a sign as to which one of his children is being honest about Marlene's murder. I did, too. I wasn't sure I believed any of the versions Sophia and Sean had given at this point, but I was and am sure that the truth lies with one of them. Okay, so I have officially talked to Sean and George.

In a minute.

How do you solve a crime in reverse when you believe that someone was murdered but have no clue who the victim was? We have to do our job, and we have to find out who did they kill. If it's possible, How are we going to do that? I'm Jake Halpern, and this is DeepCover, The Nameless Man. Listen on the iHeart radio app, Apple podcasts, or wherever you listen to podcasts.

Real quick before we get the show. I know you listen to Beyond All Repair, but do you follow the show? Are you following the show in your podcast app or subscribe to it or whatever the terminology is in your app of choice? I don't want you missing any new episodes as they come out or having them served up to you out of order. I don't want you losing your place in an episode if you need to pause it part of the way through. Do me another favor, will you? Look for the little follow button or a plus sign button in your app. Follow the show officially wherever you listen. And thank you.

Gosh, I want you to know I'm so nervous about this. I've been sick with anxiety over it, and probably just because it's going to hurt my feelings.

I'm talking to Sophia a few days after speaking to Sean and her father, George, for the first time. She's been receiving a tsunami of voice messages from her dad in the intervening days that make it pretty clear where he stands.

It's a shame to see how you're destroying your life. You're looking for trouble, you're going to get trouble. Try to lie. To set up your own brother. Stop this bullshit. Stop living in a dream.

I don't think my dad will ever believe that my brother did it. You can show him videotape evidence, and he'll say that's the Johnson's in costume or the tape was edited. It's not going to matter.

Meanwhile, that brother, Sean, is making it clear to the youngest brother, Shane, that he's not going down for Sophia's mother-in-law's murder 22 years later.

If she puts me in a situation where it's me or her, it's her.

Sophia feels the same, but about her family, her dad, her mom, Shane. They can't be on the fence about who did what anymore, even if that means cutting off contact with them forever.

It's him or me. And if it's him, that's fine, because it can't be both. There is not a world that can exist where you think we're both good people. There just isn't.

I'm at an impasse, too, with different versions of events swirling around in my head. The latest of which from Sean, I share with Sophia, the shadow in the background he told me about. He said there was a third person there. He didn't see who it was, but he saw- Wait.

He said there was a third person in the same room at the time that Marlene was being killed or after she died?

He said that as he was coming down the stairs, he saw a shadow of another person, saw another person flee, but he didn't see who it was. And what he says to me is that you, Sophia, are the only person on Earth who knows who that third person was.

Yeah. Okay. I love the new twist. I I love the new twist.

The new twist that Sean, remember, would say is neither a twist nor is it new, but the proof of it being a part of his original story for the detectives is indiscernable. But as Sophia and I talk, the new twist loses its humor because the more details Sean offers up, the more certain Sophia becomes that he is the only person on Earth who knows what happened to Marlene, the more hurt she by the story he told about her, that he continues to tell about her.

It's not just that you killed her. It's that you traded my life for your fuck up. Then you exploded a bomb in the middle of our family, and you made it seem as though I did it.

Someone is lying. But who? What if that liar is so convincing they've convinced themselves of their own lies? And what if that convincing liar Wasn't Sean or George, as Shane and Sophia had warned me they'd be, what if it's Sophia? If there was a theme for what both Sean and George told me, there's something you are not fessing up to, that you know more than you've said, and you're lying to yourself and you're lying to me.

I don't know where the truth is right now.

But I do believe with my whole heart that if this is not the truth coming forward, the effort to rebuild, to explain, to reconfigure your life, it's not a lost cause.

It's a harmful one.

As I listen back to me saying this to Sophia, I realized that what started as a statement about what Sean and George assert turned into me settling into the uncomfortable possibility that maybe Sophia is lying to me.

Maybe she has been all along.

Hello. Hello. This is Sophia. Hi, ma'am.

Thank you.

And so it's time to listen back to something else. Something you heard near the beginning of this series. But the last time Sophia heard it was 20 years ago in a courtroom. I played it for her in full.

Hello? Hey, Sophia. Hi. How are you doing? Doing good. How are you? I'm doing great. Hey, I need to talk to you.

This is the call Sean made to Sophia on the day of Marlene's funeral, when he was already in police custody and she was at home with a house full of Marlene's family members. Sean was following a script written by Clark County Detectives. The excerpts you've heard are the parts that stayed with me initially.

Sophia, I don't want to be here. You heard this, Sophia? Why does Sean, what are you saying? You are really scaring me. Stop it.

The unraveling brother, the unsettled sister, who, to me, seemed genuinely shocked at what she was hearing.

If these people find out that we had anything to do with this.

Excuse me? Okay. What?

If these people find out that we had anything to do with this, we're going to go to jail.

Sean, what are you saying?

Okay.

Maybe I had selectively zeroed in on these parts of the call as someone who had heard Sophia's side of the story first and wanted to think I wasn't being lied to. What stood out to the detectives, the people who got useful information from Sean first and were trying to build a case around his story, was this.

Okay, listen.

Our phones are probably being recorded. Okay?

She kept saying, Sean, the cops are listening. You know the cops are listening.

You know him.

Lead Detective Rick Buckner.

She said that a couple of times during the conversation.

Sean, I told you our conversation is being recorded.

Our phone conversations are being recorded. Did you know that?

No. Yes, I I said that three times.

How do you know? Listen to what you're- How the hell would she even know that we were listening in? What Sophia told me was that Brad recorded all their calls, a product of his FBI and communications backgrounds.

Brad denied this to the detectives, by the way, but it almost doesn't matter because the part that was more concerning to me in this much later listen through came even before that. When Sean mentioned his girlfriend, Susie, who, remember, he says, drove them over to Marlene's house.

The cops came here earlier. I think they know Sophia. Sophia I'm trying to get on the phone. Sophia, I think they know. They, Sophia, take back Susie. Okay? I don't think she's going to lie. Sophia, I don't want Sophia. I'm not trying to go to jail for stuff. How are you doing, Sophie?

God, that was a terrible call.

Yeah.

Man, I sound so fake.

Sophia and I went through it, revisiting the moments that I felt needed some explaining.

Okay, go ahead.

Okay, so he says, I think they know Sophia. You say, Mm-mm. And he starts to say, I think they know. And you say, Don't say anything over the phone.

Sophia, I think they know.

It really sounds like you know what he's talking about and like you're trying to shut him up in that moment.

Yeah, I could definitely see that. Listen, being... I'm really trying to I put myself in that moment and remember it. And it is not an easy thing to do because so much of it seems like a blur. I don't know. I honestly didn't think he was calling about Marlene Johnson's murder. There would have been no reason for that. But I knew he did something wrong, and I could hear it in my own voice. I knew he did something wrong.

The fact that he says, I don't think Susie is going to lie for us, and your reaction is a big sigh instead of, What are you talking about? She's not going to lie for us. Lie for us about what? It's like the moments that you're not saying something that feel more telling than if you did say something. All I'm supposed to do was go with you that day. You know?

You told me you were going to help me by giving me the money, Sophia. And And now look what happened. Okay, somebody's dead, Sophia. Okay?

I don't want to go to jail. It's tough.

It is. And I completely agree with you. I agree with everything you said. It looks bad. And again, of course, I wish I did it different. And I had no idea it was being recorded the way it was being recorded, that it was a wire tap and anything like that. I just, I don't know. Honestly, Emre, Even conversations that I have with you and I, sometimes, if my anxiety is so high and I'm in a different place, it's difficult for me to retain what you have said. And at times, even though I can answer you, it is white noise to me. And that's really what this sounds like to me, an auto response to a problem person at a very high stress time. And I wasn't then trying to hide or cover anything up as I'm not now. And of course, I wish that call had gone differently. I wish I had the right words, but I didn't realize that I was being at that time, to me, framed for someone's murder.

Now that Sophia does know exactly what Sean was doing to her then with an audience of detectives, what she says Sean and her father are doing to her now with an audience of me and you, she made sure she had the right words when I suggested that they might be telling the truth, that she is lying to me flat out or by omission.

I told you everything I possibly could that I know to be true. If there's something out there that's missing that you have not heard from me, it's because I don't know it. So definitely, I agree with everything you said. This would be more harmful than anything if I'm telling a lie about it, but I'm not. And I just hope that you can find your way to really finding the truth and staying on course because they're going to do everything they can to distract you. They just will. So stay the course.

I did. I kept reading and rereading the case file and looking for people whose names I'd come across, including another Detective, Kevin Harper. Sophia had told me that in 2010, eight years after Marlene's murder, Detective Harper had come to see her at a federal facility in California, where she was being held for trying to come into the US despite having been deported after her second trial. Sophia told him she had new information to offer about the murder. But when I finally tracked down the now former Detective Kevin Harper and asked him about this visit. Well, let's see. He didn't remember anything of value coming out of this conversation with Sophia. No admissions of any kind. A waste of time, Harper said. But he also told me. If you ever run across my notes, I would love to review because that can trigger all sorts of memories for me or the written up the report because That, I'm sure, will help trigger my memory. I put in a request for that report. But with Detective Harper not remembering anything happening during that 2010 interview with Sophia, I couldn't imagine it really changing anything for me. But I got it, I read it, and I was wrong.

I just... I didn't... Oh, my fucking God. The report in a minute. Okay. I don't even know where to put this so that we'll pick us both up the best. Just to pick you up more, I think so. This is me talking to my husband moments after reading Detective Kevin Harper's report, the one he wrote in 2010, right after hearing the new information Sophia had to offer about Marlene Johnson's murder. This is a full confession. Sophia offered Detective Harper, not a full confession as you might be imagining it, as in Sophia saying she physically bludgeoned Marlene to death. To me, it was worse than that. When you see someone you know and then you meet their parents for the first time and you're like, Oh, my God, I see your mom and your dad coming together. This This feels like that. This feels like Sophia's version today and Sean's version on the stand coming together in a new version that feels truthful. Sophia grew up in New York, the report reads. Her family is a member of the Jehovah's Witness Church. She moved to Vancouver after she... Okay, yeah, I'm not going to read the whole thing.

It's 26 pages long, so I'll summarize. As I walk you through it, you'll hear echoes of the various versions of the day of the murder that we've heard over the course of this series. Sophia's narrative for Detective Harper mentions the embezelment and the debt she and Brad were in leading up to her mother-in-law's murder. Sophia says Marlene offered to loan her money, that she had hidden emergency money for when she left her marriage. Sophia turned it down, but the morning of the murder, when Sean and his girlfriend Susie were over at her house, and Sean was going on about how he really needed the money for his divorce. Sophia says her mind went to Marlene's hidden stash. She made up a story about having money in the pocket of a coat that she'd left at her in-law's house, and she convinced Sean and Susie to drive her over there to get it, just like Sean had told the jury.

She asked if Susie and I can take her over there so that she can pick up her coat.

Sophia's news story matches the one Sean told on the stand for a stretch. She went into the Johnson's house alone, came out several minutes later without having found the quote, unquote, coat, and the three of them drove off. But she convinced Sean to go back to the Johnson's house with her. Susie took them there and then drove off, quote, with an attitude, like it was hinted in the wire tapped phone call between the siblings.

Okay. I don't think she's going to lie.

When they got back to the Johnson's house, Sophia tells Detective Harper, she told Sean about Marlene's stash of money. They both started looking for it, but they couldn't find it. Sophia says they sat down on the steps leading up to Marlene's bedroom, feeling defeated. Then, quote, As casually as I'm talking to you, Sophia tells Harper, she says to Sean, Maybe we should just kill her. Sean's response? Okay. Sophia told Sean that Marlene's life insurance money would, quote, go a long way with Brad.

If anything were to happen to Richard or to Marlene, who inherits it? Brad Johnson. Who's married to Brad? Sophia Johnson.

Sophia says she told Sean that she didn't want Marlene to hurt when she died. Okay, Sean replied again. Then the siblings went down to the basement together where Marlene would be coming in. Sophia says she told Sean to make Marlene think he was collecting gambling debts that her husband, Richard, owed. A detail we heard Sophia mention on the stand in her second trial.

That Sean was supposed to scare Marlene, tell her that Richard had outstanding gambling debts.

As they waited for Marlene to come home, Sophia tells Detective Harper that she saw Sean pick up a fireplace poker and start swinging it around. He had nervous energy, he told her. Sophia says she knew Sean was going to kill Marlene because, I knew what I had asked him to do. Sean waited in the room where Marlene would be entering, Sophia says. She waited in the next room where the sliding glass door was, nervously walking in a circle.

I just got nervous and I got up and started pacing.

When the siblings heard the garage door open, Sophia says she went out the sliding glass door and waited outside so she wouldn't be able to see or hear anything. Soon she saw Sean through the glass, she says, and he told her they had to go. Was Marlene still alive, she asked. I don't think so, Sean answers.

She drove out from the area, and she told me a couple more times just to keep my head down.

Unlike Sean's story, Sophia tells Detective Harper that Sean drove Marlene's van back to her house, not her. He changed into some of Brad's clothes.

And I mentioned to Sean, Hey, these are going out for donations. He took a few things and left.

Meanwhile, Sophia tells Harper, I started covering myself. She says she started leaving messages on Marlene's phone to try to make it seem like she wasn't involved. Harper writes, Sophia said even though she knew Marlene had to be dead, she was irritated that she wasn't answering the phone. Even more so, Sophia says, when Marlene did not, could not, show up for their mother-daughter-in-law lunch date.

Why isn't she answering? I know she didn't forget. I felt a complete irritation.

Sophia tells Harper that she lied under oath in her second trial, that her lawyer, Therese, didn't know it, but that she also didn't want her to testify. But Sophia tells Harper, I was really ready to put on a show for the jury.

I I didn't know anything myself. What was I supposed to tell them?

Then Sophia tells Harper that she didn't like his colleague, Detective Rick Buckner, that Buckner accused her of committing the actual murder.

I know this happened. We know you killed Marlene.

Just tell me what happened. Tell us how.

Harper writes, quote, Sophia said that she could tell him truthfully, I wasn't in the room. I didn't touch her. Because she wasn't in the room, she didn't touch Marlene. Did you kill Marlene Johnson?

I did not.

Sophia says that she didn't know how badly Marlene was beaten until trial when she first saw pictures of the scene, that it made her sick, and that what bothers her most, Sophia says, is that Marlene would have loaned her the money. Even if she had been offered a deal to testify against Sean, Sophia told Harper, she wouldn't have done it back then. She, quote, wasn't ready to accept responsibility for her involvement, she says. If these people find out that we had anything to do with this.

Excuse me? Okay.

Then, in the last few pages of this 2010 report, Sophia put this confession in her own handwriting. As I read through it, I heard the voices of all the people who'd warned me about Sophia.

No wicked, corrupt, corpidious, vindictive.

She's such a wicked person. You have no clue. She played the whole damn family.

She is the person who committed, who murdered my wife.

She has a short temper, and she's a lot stronger than you.

Apparently, inappropriate at a funeral to be talking about somebody's will.

Because it just means that Sophia is still lying.

I just, I didn't...

Oh, my fucking God. And we're back to the moments after I finished reading Sophia's confession for the first time. Thinking out loud to my husband, who silently watched my brain explode as I tried to process what I'd just seen. All I wanted is to know what fucking happened. And this makes me feel like I know what happened. I had a report that seemed forgotten about. Why is this? This is just sitting in their files. That told a new version of events for the day of the murder. And this feels like the truth. The pieces really did seem to be coming together. Like, Sophia really had been trying to come clean to Detective Harper in 2010. I don't think that she can make this make sense beyond what she says here, but she's got to make this make sense if I go to her and say, Guess what I read last night? Fucking confession in your handwriting. And once I wrap my head around all that, where my mind went immediately next. This is going to fuck him up. Was to Shane. More so than it fucks me up because it's his fucking sister. Yeah, I was mad because just days before I got that copy of Detective Harper's report from the Clark County, Washington Public Records Office, Shane had sent me a recording of a phone call he'd made.

Hey, Sophia. How's it going?

To his sister. Good. How are you?

I'm doing.

You're doing? Uh-oh. I'm sorry.

He had just finished going through the nearly 2,000 pages of the investigative file that I had at that point. He was calling to tell Sophia that he'd reached a verdict of his own.

I want to start off with, I love you so much, and no matter what happens, I'm going to be there with you. I don't think that you committed the murder. I'm conclusively stating that. Based on all of the evidence that I've gone over, I don't think that you murdered Marlene Johnson at all. I know that you don't even have to worry about that legally, but it is something that- Sophia can tell how anxious Shane is as he rambles on, and she jumps in.

All right, so just take a breath for a minute, and I want to say Thank you. And yes, while it does not serve as evidence, whether you believe me or not, just for our relationship and everything else, it's important that the people that I'm around me personally does not think that I can commit something so heinous and so horrible that destroyed every life around it that it touched. For me, that is seriously important because that's not who I I am.

No, Sophia, I believe you. I know.

Look, I'll tell you this- That's not who I am, Sophia says. I believe you, Shane says. My heart sank lower and lower as my eyes traced one sentence of Sophia's narrow cursive over and over. We should just kill her. What the hell would Shane believe now? Next time, I show him the report.

This was hard for me to read.

And questions for the detective who didn't remember what Sophia had told him.

Is it long and boring?

No. Are you sure? And for Sophia, this is the version of events that you tell him.

That I tell him?

That's coming up in the final chapter of Beyond All Repair.

Beyond All Repair is a production of W. E.

Wbr, Boston's NPR and ZSP Media. It's written and reported by me, Amarie Sievertson. It's produced by Sophie Codner. And special thanks to Troy Brennison from Oregon Public Broadcasting, You to Man. Mix and sound design by Paul Wikus, Production Manager of WBR Podcasts, and Original Scoring by Paul Wikus and Matt Reid. Theme and Credits Music by me. Our managing producers are Summa Tajoshi for WBR and Liz Stiles of Zsp Media. Our editors and executive producers are Ben Brock Johnson of WBR and Zack Stuart-Pontier of Zsp Media. If you have questions about the case, anything at all, we want to hear them. Email beyondallrepairpod@gmail. Com. Record a voice memo if you're feeling good about that. Write a written message, beyondallrepairpod@gmail.

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You'll also find pictures and a lot more information on Instagram by following WBR R presents. Do me a favor, will you pet a dog or cat or a rabbit, quit something, drink some water, consider a nap, listen to a good song, eat a treat, go for a little walk, tell someone you love them, and then tell them about this show in that order.

Thank you for listening.

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