Transcribe your podcast
[00:00:04]

Pound Joon Ho. Thank you. Tom Donnelly, good cocktail, wasn't was. I wondered how you did not know how we did it so soon after winning Best International Feature.

[00:01:02]

I thought I was done for the day and was ready to relax. Anormal comes home with a. Crew or just three take ago some customers. I got on Madison. You're welcome. But they're cutting cane jogging guys, because I'm telling you, talking got to come out. I shot them beneath the window. And to check us out, you can go to my.

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Thank you so much. When I was young and studying cinema, there was a saying that I carved deep into my heart, which is the most personal is the most creative Coumadin.

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That quote to us from our great Martine's co-stars. So.

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Yeah, exactly. So, Marty, a lot of women's open with on grounds that, I mean, their cultural world go mundle normally ongoing. Beth, just tell about the 12:58, no less, OK?

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When I was in school, I studied Martin Scorsese films. Just to be nominated was a huge honor. I never thought I would win.

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To tell you I wanted a you bugle get convicted in a Haddam that he bought with bare hands and tail my to his table to like with Dunwoody continuingly me get in there. So I sat down on me.

[00:02:38]

When people in the US were not familiar with my film, Quentin always put my films on his list. He's here. Thank you so much.

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Martin, I love you. But he will have to build on what he put in same the second woman, that's when go on that much income doctrine that you put it on my walls cuts his heart. I condemn in excess that don't get people to keep.

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Okay, to tell us all about the poor mom and Todd and Sam, great directors I admire of the academy allows. I would like to get a Texas chainsaw, split the Oscar trophy into five and share it. Share it with all of you. Thank you. I will drink until next morning. Thank you.